BIBLIOGRAPHY

The Rhetoric of Hypertext: 

A Comprehensive Bibliography 

Adams, Judith. The American Amusement Park Industry: A History of Technology and Thrills. Boston: G. K. Hall, 1991.

Akscyn, Robert. "The ACM Hypertext Compendium." Hypertext '91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York: Association for Computing Machinery,

1991. 403-405.

Aleghieri, Dante. The Divine Comedy. New York: Chronical Books, 2006.

Amato, Joe. "Ink/Pixel: Re-Writing Self-Construction, Briefly." Writing on the Edge 3(1992): 77-85.

Approaches to Teaching British Women Poets of the Romantic Period. Ed. Stephen C.Behrendt and Harriet Kramer Linkin. New York: MLA, 1997.

Aragon, Louis. Paysan de Paris. Trans. Simon Watson Taylor. Boston: Exact Change, 1994.

Attali, Jacques. Labyrinth in Culture and Society: Pathways to Wisdom. 1996.

Barthes, Roland. "From Work to Text." Trans. Stephen Heath. Image-Music-Text. London: Flamingo, 1977.155-164.

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Baudelaire, Charles. The Flowers of Evil. Ed. Marthiel and Jackson  Mathews.  Trans. C. F. MacIntyre. New York: New  Directions, 1989.

Baudrillard, Jean. Simulacra and Simulation. Trans. S.F. Glaser. Ann Arbor, MI: Michigan UP, 1994.

-     -     -  America.   New York: Verso, 1989.

-     -     - Seduction. Trans. Brian Singer. New York: St. Martin’s Press, 1979.

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Benjamin, Walter. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. London: Verso, 1983.

-     -     - Illuminations: Essays and Reflections. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968.

-     -     - Reflections:  Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz.Trans. Edmund Jefcott. New York: Schocken, 1978.

-     -     - “One-Way Street.” Illuminations. Ed. Hannah Arendt. Trans. Harrzy Zohn. New York: Schocken 1968. 253-267.

-     -     - “Program for a Proletarian Children’s Theater.”  Walter Benjamin: Selected Writings Volume 2 1927-1934. Ed. Michael W.Jennings . Cambridge: Harvard UP, 1999. 201-206.

-     -     -  The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999.

-     -     -  The Correspondence of Walter Benjamin 1910-1940. Ed. Gershom Scholem and Theodor W. Adornow. Trans. Manfred R. Jacobson and Evelyn M. Jacobson. Chicago: U of Chicago P, 1994.

-     -     -  The Origin of German Tragic Drama.  Trans. John Osborne. London: Verso, 1998.

-     -     - “The Author as Producer.” Walter Benjamin: Selected Writings Volume 2 1927-1934. Ed. Michael W. Jennings .Cambridge: Harvard UP, 1999. 768-782.

-     -     -  “Theses on the Philosophy of History.” Illuminations. Ed. Hannah Arendt. Trans. Harrzy Zohn. New York: Schocken 1968. 253-267.

-     -     -  “The Storyteller.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken 1968. 83-109.

-     -     -  “The Task of the Translator.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken 1968. 69-82.

-     -     - “The Work of Art in the Age of Mechanical Reproduction." Illuminations. Ed. Hannah Arendt. Trans Trans. Harrzy Zohn. New York: Schocken 1968. 217-251. 

Bentley, G. E., Jr. “William Blake's Techniques of Engraving and Printing.” Studies inBibliography: Papers of the Bibliographical Society of the University of Virginia. 34 (1981) 241-253.

Berk, Emily and Joseph Devlin. "What Is Hypertext?" The Hypertext/Hypermedia Handbook. Ed. Emily Berk and Joseph Devlin.New York: McGraw-Hill. 3-9.

Berk, Michael. "Head Rush: How Drug Experiments Illumintaed Benjamin's Thinking." Nextbook: A Gateway to Jewish Literature, Culture and Ideas. May 16, 2006. <http://www.nextbook.org/index.html>

Bernstein, Mark. "Architectures for Volatile Hypertext." Hypertext '91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York: Association for Computing Machinery,

1991. 243-61.

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-     -     - "Deeply Intertwingled Hypertext: The Navigation Problem Reconsidered.” Technical Communication (1991): 41-47.

-     -     - "More Than Legible: On Links That Readers Don't Want to Follow.” Hypertext 2000. San Antonio: ACM, 2000. 216-217.

-     -     - "Patterns of Hypertext." Proceedings of the Ninth ACM Hypertext Conference. Pittsburgh: ACM, 1998. 21-29.

Bernstein, Mark, and Peter J. Brown. "Structure, Navigation, and Hypertext: The Status of the Navigation Problem." Hypertext '91.San Antonio: ACM, 1991. 363-366.

Bey, Hakim. T.A.Z.: Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. New York: Autonomedia, 1991.

Blake, William. The Marriage of Heaven and Hell. New York: Dover , 1994.

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Bolter, Jay David, Michael Joyce, and John B. Smith. Storyspace 1.3 [hypertext authoring software]. Watertown MA: Eastgate Systems, 1990.

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Hillsdale, NJ : Lawrence Erlbaum and Associates, 1991.

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Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge: MIT Press, 1999.

Borck, Cornelius. "Sound Work and Visionary Prosthetics: artistic experiments in Raoul Haussman." Papers of Surrealism 4 (winter 2005).

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Brand,-Roy; Meis,-Morgan. "On Walter Benjamin's Arcades Project: Two Views." Graduate-Faculty-Philosophy-Journal 2002; 23(2): 213-231.

Brennan, Susan E. “Conversation as Direct Manipulation: An Iconoclastic View.” The Art of Human—Computer Interface Design393-404. Ed. Brenda Laurel. Reading, Mass.: Addison Wesley, 1990.

Broadway, Geoff. "Digital Realist Montage." Thesis. University of Derby, 1997.

Brooks, Max. The Zombie Survival Guide. New York: Three Rivers Press, 2003.

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Buck_Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT, 1989.

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Burgin, Victor. "Chance Encounters: Flâneur and Detraquée in Breton's Nadja." Qui Parle 4.1 (1990): 44-61.

Burke, Edmund. On the Sublime and the Beautiful. Burke Press, 2007.

Burke, Kenneth. "Definition of Man" Language as Symbolic Action. Berkeley: U of California P, 1966.

Burke, Kenneth. “The Nature of Art under Capitalism” (1933) The Philosophy of Literary Ed. McKnight, A. Dillon, and J. Richardson Form. 3rd revised ed. Berkeley: University of California Press, 1973.

Burke, Kenneth. "Introduction: The Five Key Terms of Dramatism." A Grammar of Motives. Berkeley: U of California P, 1969.

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Burton, Richard.  The Flâneur and His City. Durham: U of Durham P, 1994.

Calle, Sophie and Jean Baudrillard. Please Follow Me. Trans. Dany Barash and Danny Hatfield. Seattle: Bay Press, 1983.

Canetti, Elias. Crowds and Power. New York: Viking, 1966.

Carlson, Patricia. "The Rhetoric of Hypertext." Hypermedia 2: 109-31.

Caroll, Lewis. Through the Looking Glass. London: Dover, 1999.

Charney, Davida. "The Impact of Hypertext on Processes of Reading and Writing."

Literacy and Computers. Ed. S. Hilligoss and C. Selfe. New York: Modern Language Association, 1993. 238-62.

Chessman, Harriet Scott. The Public Is Invited to Dance: Representation, the body, and Dialogue in Gertrude Stein. Stanford, CALStanford UP, 1989.

Coe, Richard M. "Defining Rhetoric--and Us: A Meditation on Burke's Definitions." Composition Theory for the Postmodern Classroom. Ed. Gary A. Olson and Sidney I. Dobrin. Albany: SUNY P, 1994.

Cohen, Margaret. "Benjamin's Phantasmagoria: The Arcades Project.” The Cambridge Companion to Walter Benjamin. Ed. David S. Ferris. Cambridge, England: Cambridge UP, 2004. 199-220.

-     -     -  Profane Illuminations: Walter Benjamin and the Paris of Surrealist Revolution. Berkeley: U of California P, 1993.

Cook, Kay K. “The Aesthetic of Loss: Charlotte Smith’s The Emigrants and BeachyHead.”

Cortazar, Julio. Hopscotch. Trans. Gregory Rabassa. New York: Avon, 1966.

Copeland, Carolyn Faunce. Language & Time & Gertrude Stein. Iowa City: U of Iowa P, 1975.

Cotton, Bob, and Richard Oliver.  Understanding Hypermedia. London: Phaidon Press, 1993.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1992.

Curtis, Cathy. "Photos: Cruel World of Homelessness." Los Angeles Times 7 Nov. 1996.

Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge: MIT Press, 1991.

CyberReader. Ed. Victor J. Vitanza.  Needham Heights: Allyn and Bacon, 1996.

Deleuze, Gilles. Nietzsche and Philosophy. New York: Columbia UP, 1983.

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Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schitzophrenia. U of Minnesota Press, 1987.

Deming, Richard. “Strategies of Overcoming: Nietzsche and the Will to Metaphor." Philosophy and Literature 28.1 (2004) 60-73.

Derrida, Jacques. Dissemination. Chicago: U of Chicago P, 1983.

-     -     -  Limited Inc. Trans. Samuel Weber. Ed. Gerald Graff. Evanston: Northwestern UP, 1988.

-     -     -  Signéponge: Signsponge. Trans. Richard Rand. New York: Columbia UP, 1984.

Delillo, Don. White Noise. Penguin, 1999.

DeRose, Steven J. "Expanding the Notion of Links." Hypertext '89 Proceedings. Ed. Norman Meyrowitz. New York: Association for Computing Machinery, 1989. 249-59.

Descombes, Vincent. Modern French Philosophy. Trans. L. Scott-Fox and J.M. Harding. Cambridge: Cambridge UP, 1988.

Dewey, John. Democracy and Education. (1916) Whitefish, MT: Kessinger, 2004.

Dickstein, Morris. "The City as Text: New York and the American Writer.” TriQuarterly 83 (1991-92): 183-204.

Diggins, John P. “Visions of Chaos and Visions of Order: Dos Passos as Historian.” American Literature 46 (1974): 329-346.

Dillon, George L. Writing with Images.

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Ditlea, Steve. “Another World: Inside Artificial Reality.” PC Computing 1,11: 90-99, 112, 1989.

Doheny-Farina, Stephen. The wired neighborhood. New Haven: Yale UP, 1996.

Dos Passos, John. Manhattan Transfer. Boston: Houghton Mifflin, 1925.

Dostoevsky, Fyodor. The Gambler. Dover, 1996.

Douglas, J. Yellowlees. The End of Books Ñ or Books without End?: Reading Interactive Narratives. Ann Arbor: University of Michigan P, 2000.

Drexler, K. Eric. Engines of Creation: The Coming Era of Nanotechnology. New York: Anchor Books, 1987.

Eagleton, Terry. Literary Theory: An Introduction. Oxford: Basil Blackwell, 1983.

-     -     -  Walter Benjamin: Toward a Revolutionary Criticism. London: Verso, 1981.

Eco, Umberto. The Name of the Rose. Trans. Weaver. Secker & Warburg, 1983.

-     -     -  "The Poetics of the Open Work." The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1984. 47-66.

Egan, Dennis, Michael Lesk, Daniel Ketchum, Carol Lochbaum, Joel Remde, Michael Littman, and Thomas Landauer. "Hypertext for the Electronic Library? CORE Sample Results." Hypertext '91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York : Association for Computing Machinery, 1991. 299-313.

Eiland, Howard. “Reception in Distraction.” boundary 2 30:1 (2003), 51-66.

-     -     -  “Translator’s Forward.” The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999.

Engelbart, Douglas. “Augmenting Human Intellect: A Conceptual Framework.” The New Media Reader. Ed. Noah Wardrip-Fruin and Nick Montfort. MIT: Cambridge, 2003.

Hypertext/Hypermedia Handbook, ed. Emily Berk and Joseph Devlin. Internet Publications, McGraw Hill: New York, 1991

Faulkner, William. Light in August. New York: Vintage, 1991.

Fenves, Peter. "Of Philosophical Style -- from Leibniz to Benjamin." boundary 2 30:1, Spring 2003.

Ferguson, Robert. Henry Miller: a Life. New York: Norton, 1991.

Ferris, David S. “Poster-modern Interdisciplinarity: Kant, Diderot and the Encyclopedic Project. MLN 118.5 (2003) 1251-1277.

Fisher, Adrian & George Gerster. The Art of the Maze. Unknown, 1990.

Fittko, Lisa. “The Story of Old Benjamin.” The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999. 946-954.

Foster, Gretchen. “John Dos Passos’ Use of Film Technique in Manhattan Transfer and The 42^nd Parallel.” Literature and Film 14.3 (1986): 186-194.

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Freud, Sigmund. “Dostoevsky and Parracide.” The Freud Reader. New York: Norton, 1995.

Frost, Robert. “Directive.” The Poetry of Robert Frost, The Collected Poems, Complete and Unabridged. Holt, 1969.

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Gelley, Alexander. “Contexts of the Aesthetic in Walter Benjamin. MLN 114.5 (1999) 933-961

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Girard, Rene. Violence and the Sacred.   Baltimore: Johns Hopkins UP, 1972.

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Gluck, Mary. "The Flâneur and the Aesthetic Appropriation of Urban Culture in Mid-19th-Century Paris." Theory, Culture & Society. 2003 Oct; 20 (5): 53-80. 

Gombrich, E. H. The Image and the Eye. Oxford: Phaidon Press, 1982.

Greco, Diane. "Hypertext with Consequences: Recovering a Politics of Hypertext." Hypertext '96. Washington: ACM, 1996. 85-92.

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Hypermedia Systems." Hypertext '87 Proceedings. Ed. N. Yankelovich. New York: Association for Computing Machinery, 1987. 345-67.

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Hayles, N. Katherine. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. Ithaca: Cornell UP, 1990.

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Hypertext. The Convergence of Contemporary Critical Theory and Technology. Ed. George P. Landow. Baltimore: Johns Hopkins, 1992.

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Jarvis, Robin. Romantic Writing and Pedestrian Travel. London: MacMillan, 1997.

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-   -   -  Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.

Jones, Suzanne W. "The Miller-Matisse Connection: A Matter of Aesthetics." Journal of American Studies 21.3 (1987): 411-415.

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Landow, George. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: Johns Hopkins UP, 1992.

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Lanham, Richard. The Electronic Word: Democracy, Technology, and the Arts.  Chicago: University of Chicago Press, 1993.

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Levinson, Paul. The Soft Edge: A Natural History and Future of the Information Revolution. London: Routledge, 1997.

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Lyotard, Francois. The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Minneapolis: University of Minnesota, 1984.

Malcolm, Kathryn, Steven Poltrock, and Douglas Schuler. "Industrial-Strength Hypermedia: Requirements for a Large Engineering Enterprise." Hypertext '91 Proceedings. Ed. P. D. Stotts and R.K. Furuta. New York: Association for Computing Machinery, 1991. 13-25.

Mancini, Clara. "From Cinematographic to Hypertext Narrative." Hypertext 2000. San Antonio: ACM, 2000. 236-237.

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Marshall, Catherine, Frank Halasz, Russell Rogers, and William Janssen. "Aquanet: AHypertext Tool to Hold Your Ideas in Place." Hypertext '91 Proceedings. Ed. P. D. Stotts and R.K. Furuta. New York: Association for Computing Machinery, 1991. 261-77.

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